
Spectators watching the Olympic Opening Ceremony remember the light show, but few inquire about the equipment behind those colossal screens. For the Paris Games, the answer, according to the manufacturer's announcement, is NovaStar — the LED screen control brand that Luxwave (a brand of Ho Gia JSC, official distributor for BOE, NovaStar, Muxwave) is distributing and implementing in Vietnam. This article reviews the figures announced by the company and their significance for domestic projects.
What Role Did NovaStar Play at the Paris Olympics?
According to NovaStar's case study, the company provided a comprehensive ultra-high-definition display and control solution for the opening and closing ceremonies, main stadiums, and festival activities in Paris: powering over 90% of the screens for the opening ceremony, more than 80 ultra-high-definition screens, and over 30 screens at the competition venues. "Comprehensive" here means the company managed the entire signal path — from video processing and control to pixel-level calibration — not just a single device in the chain.
14 Years Serving the Olympics: A Journey Since Beijing 2008
Also according to the company's announcement, Paris is not their first time: NovaStar has served the Olympics continuously for 14 years since Beijing 2008, through London, Rio, and the Beijing Winter Olympics, alongside World Cup events. These high-level events serve as the industry's most rigorous tests: billions of viewers, no room for error, and equipment must perform flawlessly under real-world stage conditions. A company being repeatedly chosen for 14 years speaks volumes about the reliability of its control system, more than any paper specification.
Within the industry landscape, this 14-year streak also reflects a reality few outside the sector are aware of: global LED screen control market share is concentrated among a few specialized manufacturers, and the larger the event, the shorter the list of choices. Organizers do not experiment with new technologies when billions are watching — they select what has been proven in previous events. This "chosen because chosen" loop is the natural barrier to entry in the control segment, and why large event experience becomes a reliable benchmark when evaluating a brand.
What Does a Comprehensive 4K/8K Control System Include?
NovaStar highlights three proprietary technology pillars behind these events: its 4K/8K control system, video processing system, and LED screen calibration system. These three components address the most challenging aspects of large-scale event screens: handling the massive data volume of ultra-high-definition signals down to millions of pixels without frame delay, smoothly mixing and switching multiple live video sources, and color-calibrating hundreds of cabinets from different batches to a unified standard to avoid visible seams on broadcast television. The article LED Screen Refresh Rate for Cameras further analyzes a related aspect: why camera-facing screens require high refresh rates.
Why Do Major Events Choose a Less-Known Control Brand?
A curious paradox in the LED screen industry: the cabinet brand is printed on the equipment, while the control brand is virtually unknown to the public — yet, technical professionals choose the opposite, starting with the control system. The reason is that the biggest risk in a live event is not a faulty LED panel (spare cabinets are available) but a system-wide signal interruption. NovaStar's stage solutions therefore emphasize high integration — the company states a reduction in equipment count to about one-third compared to traditional systems — along with real-time monitoring and multiple redundancy layers. Fewer devices, less cabling, fewer failure points: a simple philosophy, but crucial for keeping the screens lit throughout the ceremony.
This lesson directly translates to enterprise projects in Vietnam. When comparing two LED screen quotes, buyers often scrutinize the panel specifications while overlooking the control system — yet, this is precisely what determines whether the screen runs stably or erratically, displays beautiful or color-shifted images, and whether issues are resolved in minutes or days. A simple question worth asking every contractor is: "Which brand's control system, what model, is it genuine?" — and then comparing the answer to the type of equipment trusted by major events.
From the Olympics to CCTV, Asian Games: Other Major Events
The company's list of case studies extends further: six consecutive years serving CCTV's Spring Festival Gala — China's largest New Year's Eve television program, the Hangzhou Asian Games, the Harbin Winter Asian Games, the opening and closing ceremonies of the Beijing Winter Olympics, along with premium rental solutions at the Beijing Auto Show. The common thread in these events is large-scale live broadcasting — an environment where any display defect is magnified by the camera. For organizers of event stages or operators of conference halls in Vietnam, this serves as a reliable reference when selecting a control platform.
Notably within this list is the breadth of genres covered: outdoor sports on a stadium scale, studio television galas, indoor trade exhibitions — three environments with vastly different technical requirements regarding lighting, camera distance, and setup/dismantling intensity. A control system that performs well in all three implies an architecture flexible enough to be configured for various scenarios, rather than being rigidly optimized for a single use case. This is the characteristic that project managers should seek: equipment that can adapt to the multi-purpose lifecycle of the space itself.
What Benefits Do Vietnamese Businesses Gain from This Technology?
The most practical point: the technology serving the Olympics is within reach. Commercial product lines like the VX series or the H series processors inherit the same control platform, packaged for enterprise-scale projects. Luxwave has practically implemented the VX2000 Pro unit — a model supporting 13 million pixels in the VX Pro series — for a COB screen measuring 4320×1350px (~5.83 million pixels) in the Optupus Library project. The gap between an event watched by billions and a training room in Hanoi, in terms of control quality, is merely scale, not technological class.
Conclusion: Choose a Control System Like Major Events Do
The news about the Paris Olympics distills into one lesson for LED screen project managers: give the control system the same attention as the screen itself, because this is where the world's most demanding events have placed their trust for 14 years. When planning screens for conference halls, stages, or control rooms, you can refer to the article Choosing an LED Screen Controller by Pixel Count or discuss directly with the Luxwave technical team for advice on a suitable genuine configuration.
Pitfalls
Common mistakes
- Equating all 'control cards' — floating devices without standard firmware are prone to failure during events
- Investing in premium screens but economizing on the control system, leading to bottlenecks at critical image stages
- Ignoring color calibration when splicing cabinets from different batches — resulting in visible color shifts on camera
- Live events have no signal redundancy — risking screens going dark before the audience
FAQ
Frequently asked questions
What kind of company is NovaStar?
NovaStar (Xi'an, China) specializes in LED screen control systems: controllers, video processors, sending/receiving cards, and screen calibration systems. Audiences don't see the company's logo on the screens, but most large LED screens worldwide — from stages to control rooms — operate using their control equipment.
Why do major event LED screens require specialized control systems?
Major events combine hundreds of cabinets into multiple screens operating simultaneously, receiving multiple live signal sources, and must not experience interruptions on broadcast television. Specialized control systems handle load balancing, frame synchronization, signal redundancy, and color calibration — tasks that a standard media player cannot perform.
How does an 8K control system differ from a conventional one?
It differs in bandwidth and synchronization accuracy: an 8K signal contains four times the data of 4K, requiring processing and transmission equipment that can keep up without frame delay. According to NovaStar, its comprehensive 4K/8K system includes control, video processing, and calibration — synchronizing from the source to every pixel.
Can the Olympic control technology be used for small projects in Vietnam?
Yes — and it is currently being used. Commercial product lines like the VX Pro inherit the same control technology, differing only in load capacity. A training room in Hanoi running a VX2000 Pro unit essentially uses the same control architecture as large event screens, scaled to fit the budget.
How can I purchase genuine NovaStar equipment in Vietnam?
NovaStar distributes through partners in each market. In Vietnam, Luxwave is the official distributor — ensuring equipment has clear origins, standard firmware, and local technical support, avoiding the risks associated with unverified, un-warrantied floating devices, which are quite common for control equipment.
How important is LED screen calibration in major events?
Event screens are assembled from cabinets of various batches. Without calibration, differences in brightness and color will be visible on broadcast television. The calibration system measures and adjusts each pixel to the same brightness and color standard — this is one of the three technological pillars NovaStar highlighted in its Olympic service system.
References
- 1.ManufacturerNovaStar — Paris Olympics Case Study
- 2.ManufacturerNovaStar — VX Pro Series Datasheet
- 3.ManufacturerNovaStar — Rental Stage Solutions
